![]() ![]() It’s about as good as anything else he’s put out since Barter 6, which is to say it's a bunch of no-big-deal tunes from a rapper known for redefining the very form.īut none of this matters, really - the quest for a radio hit as sticky as “ Stoner” or “Lifestyle” the idea of full-length cohesion as intrinsically valuable the impulse to rank and dissect a nonlinear, haphazard collection of songs, where aimless mindspray and straight-up genius sit next to each other. ![]() His approach is more free jazz than freestyle: improvisation for the sake of launching away from convention, more about harmonic progression and overall arc than outright lyrical cleverness or stamina. It’s rap, but it’s jazz, too: Thug isn't “post-language,” he just plays his voice like a saxophone. The “ Lifestyle” producer handles half of the eight tracks here, including “Digits,” whose Tao Te Thug hook is a highlight: “Why not risk life when it’s gonna keep going? / When you die somebody else is born / But at least we got to say / We ran up them digits, we ran up some money.” But there’s not much here that feels like a significant step forward, production or delivery-wise – save the absolutely bananas “Drippin',” midway through which Thug pauses to announce “You don’t know a ting about me, OK?” in exaggerated patois, then launches into one of his most dynamic verses of 2016, picking up speed, starting to scream. While Slime Season 3 is the slightest in the mixtape trilogy in both length and quality, it’s closest in concept to the series’s original plan of exclusively featuring beats from London on da Track, whose contributions have historically led to some of Thug’s catchiest moments. The only one left to convince is Thug, who’s busy tweeting “Dad” at Kanye like an obsessive Twitter egg and hanging out with Elton John. In other words, it's going to make his first “official” album, Hy!£UN35, happen, dammit. The message seemed clear: The label is moving on from this era of Thug, where great songs slip through its fingers and fade back into his daunting catalogue. At SXSW earlier this month, Cohen sent a bizarre Snapchat announcement: “Today in Austin we’re gonna bury Slime Season 3.” That evening, a fake funeral procession, covered in Thug and 300 logos, marched down 6th Street. It’s not hard to imagine 300 growing weary of following the unpredictable, unmarketable whims of its marquee rapper. “Finally” is relative in Thug’s world, of course – this is his fifth release in a year, and the third in his occasionally transcendent, mostly formless Slime Season mixtape series. "With Them" is a fun song, but I'm not sure it's the hit that 300 Entertainment head Lyor Cohen and friends so desperately crave from Thug now that Slime Season 3 is finally out. The strangest rapper alive had just casually hijacked Kanye’s aux-cord party, and that was enough. But the song itself was secondary in the moment. It kind of sounded like a radio hit – something Thug’s label, fans, and presumably everyone but Thug himself have been chasing for a year, mostly in vain, the sleeper success of “ Best Friend” aside. Everyone lost their shit, though it was impossible to pick up much of anything over the bass. ![]() And then, out of nowhere: “Hold up, Thug wants to play a song.” The song was “With Them,” the lead track from Young Thug’s latest offering, Slime Season 3, with a rubbery Mike WiLL Made-It beat that bounced wildly through the arena. The best part of Kanye’s Madison Square Garden album premiere and fashion show last month happened at the very end, after Ye had run out of music and the models were starting to fidget. ![]()
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![]() ![]() ![]() It received widespread critical acclaim, with praise directed at its multiple protagonist design, open world, presentation and gameplay. PlayStation 5 and Xbox Series X/S versions are scheduled for release in March 2022.Įxtensively marketed and widely anticipated, the game broke industry sales records and became the fastest-selling entertainment product in history, earning $800 million in its first day and $1 billion in its first three days. It was released in September 2013 for the PlayStation 3 and Xbox 360, in November 2014 for the PlayStation 4 and Xbox One, and April 2015 for Microsoft Windows. The game's soundtrack features an original score composed by a team of producers who collaborated over several years. Much of the development work constituted the open world's creation, and several team members conducted field research around California to capture footage for the design team. The development team drew influence from many of their previous projects such as Red Dead Redemption and Max Payne 3 and designed the game around three lead protagonists to innovate on the core structure of its predecessors. The game's development began around the time of Grand Theft Auto IV 's release and was shared between many of Rockstar's studios worldwide. Grand Theft Auto Online, the game's online multiplayer mode, lets up to 30 players engage in a variety of different cooperative and competitive game modes. A "wanted" system governs the aggression of law enforcement response to players who commit crimes. The story is centred on the heist sequences, and many missions involve shooting and driving gameplay. Players control the three lead protagonists throughout single-player and switch among them, both during and outside missions. The game is played from either a third-person or first-person perspective, and its world is navigated on foot and by vehicle. ![]() The open world design lets players freely roam San Andreas' open countryside and the fictional city of Los Santos, based on Los Angeles. Set within the fictional state of San Andreas, based on Southern California, the single-player story follows three protagonists-retired bank robber Michael De Santa, street gangster Franklin Clinton, and drug dealer and gunrunner Trevor Philips-and their attempts to commit heists while under pressure from a corrupt government agency and powerful criminals. It is the seventh main entry in the Grand Theft Auto series, following 2008's Grand Theft Auto IV, and the fifteenth instalment overall. Grand Theft Auto V is a 2013 action-adventure game developed by Rockstar North and published by Rockstar Games. ![]() ![]() ![]() ![]() while extremely difficult, you can actually manage the direct input if you just make sure you dont max out angle and thus slow down. so keyboard will have to race with xinput :/. so even with ever so slight adjustments you lose speed in a straight-ish line. The sad part is that for racing, directinput is garbage for keyboards, because at max steering angle the car slows down. in other words, you can chain drifts better with directinput. However, Xinput can cause understeer in this game, because the wheels refuse to go to their max angle at speeds, even though some cars still have the grip to turn sharper.įor drift mode directinput is preferred, because you can snap out of slides a lot easier since your wheels can angle further. and because you actually turn slower at high speeds you have a little more accuracy over your turn. XInput makes it so that you cant really instantly flick your car from left to right with just slight joystick movements, but rather slowly swerve. With XInput, (the regular controler/keyboard input) wheels gradually move to their furthest angle, and at speed this angle actually becomes less. it means wheels can snap instantly to the furthest angle possible. force-vibration effects deliver a highly realistic gaming experience. DirectInput (which is what wheel mode really is) is the only way for keyboard players to reliably hit high scores in drift events from my experience. Racing Wheel gives you perfect control of any vehicle: with a. ![]() ![]() ![]() Nevertheless, he’s soon showing up, with chauffeur, at the hardware store and whisks Ana off in a waiting ’copter for a night flight to Seattle. He’s quick to reassure her that nothing happened, adding that nothing will happen without her written consent – his tastes being, as he admits with an archaically Victorian flourish, “very singular”. The same complex was later used as Ajax's lair in Deadpool.Īna wakes up from her alcoholic haze, inevitably sans clothes, in Christian’s hotel room. The bar entrance was the rear of the Burrard Iron Works (which now houses an exhibition space) beneath the curve of the Main Street Overpass. Sadly, the bar was just a set built in the Burrard Iron Works building, 235 Alexander Street at Main Street, near CRAB Park.Ī drunken phone call brings the concerned Christian hurrying over in time to catch her barfing spectacularly in the street. Like all good students, Ana celebrates the end of her finals by getting well and truly trashed with her friends. This isn’t a movie in-joke by the Production Designer, by the way, it’s a real Gastown restaurant. They’re at the corner of street corner of Water Street, near the statue of Gassy Jack, from whom Gastown gets its name, and the eagle eyed will have spotted that they’re outside Peckinpah Restaurant. I have to let you go.” But of course he doesn’t. After a brief clinch, he has a flicker of doubt “I’m not the man for you. ![]() The cool, bare brick-walled hangout was Rainier Provisions, since closed, which stood at 2 West Cordova Street, housed in the historic 106-year-old Rainier Hotel building in Gastown.Īs they exit the coffee house and walk along Abbott Street, Christian grabs Ana from the path of an oncoming bike. It’s in the hotel’s British Columbia Ballroom that Grey obligingly poses for a photoshoot by Ana’s college chum, Jose.Īfter the session, Ana accompanies Christian to a ‘Portland’ coffee house where the pair tentatively get to know each other. So Vancouver, BC, gets to play ‘Vancouver, WA’, as these university scenes were filmed on the campus of the University of British Columbia, 2329 West Mall, using classrooms in the Liu Institute for Global Issues on Northwest Marine Drive, and exteriors of the Student Union Building and the Irving K Barber Learning Centre on East Mall.įortuitously standing in for her sick roommate, Kate, Ana heads off to the intimidating hi-rise ‘Grey House’ to interview mysterious Christian Grey, CEO of Grey Enterprises, who has amassed a mind-boggling fortune seemingly by shouting “That is not acceptable!” into the phone.įifty Shades Of Grey location: Christian Grey’s ‘Heathman Hotel’: Fairmount Hotel, West Georgia Street, Vancouver | Photograph: Google MapsĪway from his Seattle home, Grey is staying at ‘Portland’s’ fictitious ‘Heathman Hotel’, which is the Fairmount Hotel, 900 West Georgia Street, just a few blocks southwest of Bentall 5. It happens that Washington State University has a campus in the US Vancouver, and it’s here that Anastasia Steele ( Dakota Johnson) is studying journalism. Although the film is made in the famous Canadian city in British Columbia, there is another smaller city of the same name in Washington State (not really such a coincidence – they were both named after British sea captain George Vancouver who explored much of the Pacific Northwest coast). ![]() It does get a little confusing here, as there are two Vancouvers. So Christian Grey ( Jamie Dornan) is first seen jogging not around Seattle or Portland, but in Vancouver’s Coal Harbour seafront area and down the steps at Oceanic Plaza on Hastings Street. ![]() The one-time piece of online Twilight fan fiction replaced Harry Potter books and The Da Vinci Code as the necessary adjunct to a long train/bus/plane journey, and the film adaptation happily trots through its by-the-numbers format without expending needless energy on plot, characterisation or dialogue.Īs with the series that inspired it, the story is set in the damp and fittingly grey-skied Pacific Northwest of the USA around Portland and Seattle but, apart from some Second Unit scene setting, was made in Vancouver, largely around the city’s historic downtown core, Gastown, and in the North Shore Studios (formerly Lionsgate Studios), 555 Brooksbank Avenue in North Vancouver. ![]() ![]() Helm is arguably the least notable teammate, with his main aid being one that will hack and unlock doors. ![]() This alone adds a layer of strategy to the mix as you’ll need to keep a steady eye on your resource management. Bagman will upgrade your weaponry as well as manufacture ammunition and medical packs that can be picked up via scavenged items from enemies and crates. There’s no denying that Gunnar is the most helpful teammate, but that’s not to say that Helm and Bagman don’t earn their keep. You can also utilise a range of different grenade types with a decent amount of flexibility when aiming and deploying them. Worry not if you prefer your gunplay with a bit more ‘kick’ because other weapons such as the mortar and shotgun will be available to you as you progress. The counter here is that whilst Gunnar is in turret mode you can only use melee attacks and your pistol, which instantly showcases how vital your teammate is. You can deploy his scope to shoot from afar or lay down the turret to draw fire. Gunnar comes with the ability to swap between silent and turret mode on top of the standard assault rifle mode. This instantly gives you a level of freedom to go about your business however you see fit, it’s quite simply exhilarating and thoroughly enjoyable. Want to hang back and pick your foes off with stealth? That’s you can do too. Want to go in all guns blazing? You can do just that. Maps on the other hand are typically wide open and expansive, leaving it completely down to you as to how you want to skin the proverbial cat. You can take to the fields of play in a plethora of different ways irrespective of the fact that the mission structure feels quite linear. The gameplay constantly encourages you to try out different methods of assault and tactics, dishing out new weaponry, upgrades and abilities at a steady and reliable pace. There’s quite a lot to keep on top of but it’s mercifully easy to understand and swiftly becomes second nature. Rogue Trooper Redux does a good job at feeding you the basics of play throughout the opening sections of the game. I have to say however that the dialogue is quite decent so I was never compelled to toy with the options. You can indeed alter the amount of dialogue that’s being exchanged in the game, which is great for those of you that don’t want to listen to the constant yapping from your dead allies. It’s a solid implementation that removes that feeling of isolation despite being alone throughout much of the game. Gunnar servers as an extension to Rogues rifle, Helm provides oversight via Rogues helmet, whereas Bagman (you sussed it) is embedded into Rogues trusty backpack. Right from the get-go one stand out feature is the ability to tear personality / ability chips from your fallen fellow troopers and slot them into your gear to take advantage of the perks – something main man Rogue does with his three dead teammates, enabling him to take them through his journey. ![]() It’s exactly the sort of gritty story setup that you would expect from British comic 2000AD, and that comic book feel is as dominant throughout the entirety of play as it is at the beginning. Sent with his squad to battle in the war against the Norts, it’s not long before you realise that you’ve been betrayed and left for dead, ultimately leading you on a self assigned mission to seek out the traitor and make them pay. Rogue is what’s known as a Genetic Infantryman (G.I.), an enhanced soldier that’s capable of enduring the harshest of terrains. Taking on the role of Rogue, who looks like the love child of Soul Reaver’s Raziel and Van Damme’s Colonel Guile, Rogue Trooper Redux is a story of betrayal and revenge that’s set at the far reaches of the galaxy. We’ve got HD visuals, remodelled assets, enhanced geometry, dynamic lighting, a tweaked cover system and more – with that being said how well does an old dog fare in a new junkyard? Rogue Trooper Redux has undergone quite an extensive portion of care, certainly more so than is to be expected from a typical remaster in gaming today. I point that out because although games like Gears of War have since released and defined what a cover-based shooter should play out as, Rogue Trooper Redux bears all of the mechanics and functionalities of its BAFTA-nominated source material from years gone by, despite the fresh lick of paint and somewhat revamped gameplay. Described as a pioneering tactical shooter and landmark comic book adaptation, it’s important not to get this game confused with a remake. Having never played the origin title, I came into Rogue Trooper Redux with a fresh set of peepers. ![]() ![]() ![]() ![]()
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![]() ![]() In the beginning, I never truly intended to be a music educator. I enjoyed teaching and music, and decided to put those two together for my major. ![]() That was my chosen career, however, I needed a major. Once I started planning for K-State, I joined Air Force ROTC. I was definitely going to follow my dad's footsteps and join the Air Force. ![]() Throughout middle school, junior high, and high school, I never realized that I was meant to have a career in music or teaching. That's when my love of music really blossomed. Needless to say, I chose the horn once I joined beginning band in the sixth grade. ![]() When we came home from school every day, I would ask her to teach me what she learned in band that day. I was in third grade then, and of course, I wanted to be just like my big sister. When my sister was in sixth grade, she joined beginning band and started to play the French horn. If you're reading this and don't know me very well, let me tell you how meaningful this morning was for me. So, today marks my first day performing on my horn in public for the first time since Sunday, October 19, 2008. We will continue to toil so that we may offer to God the full excellence that he deserves.īy Sharyn 'Schafer' Worcester on Sunday, Octoat 8:03pm The sounds (all our offerings unto God) we make must be as sweet of a sound as the grace offered to us in return. With everything we offer to God-art, music, poetry, time, effort, energy, money (and many others)-must carry a value that represents the best we have to offer. We are compelled to bring that which represents the best of our work-that which clearly shows the value of the offering. Abel delivered to God that which was the most meaningful and bore the greatest value. He gave that which represented his very finest work. A clear difference in these offerings is that Abel offered his best. Abel on the other hand brought forth the "fat portions" of his labor. In the first instance, Cain brought "some" of the fruit of his labor. In Genesis 4:3-5 we read about an offering that Cain brings before God and an offering that his brother Abel brings before God. This is the core of worship and it is a priority that is as old as recorded history. With everything that we offer to God, we strive for it to be excellent. I'm ok with that and I hope you are, too.) (They're out of order and/or don't create a coherent order. These are "truths" that I have established that we will continue to uphold at the heart of our ministry. These are things under which we will not budge. The purpose of these posts is to deliver the "axioms" by which the Contemporary Worship services of University Christian Church operate. Our worship services are designed with two foci:Ģ) Illustrate/teach God to others so that we might bring them closer to God. They are designed to bring us (as Christians) and others to God. Because the focus is God, the focus will never be what we want. All of our efforts, all of our toils, all of our lives are to be in the business of bringing ourselves and others to God. The key verse is 1:10 where we learn that God's aim is to "bring all things in heaven and on earth under one head, even Christ."Ĭhrist's work (and ours) is designed to bring us to God. It's a note from Paul about what the church is and what is God's aim for the church. The book of Ephesians is typically viewed as an ecclesiastical letter. It is a time to attribute value ("worth-ship") to God. There are two angles on this, but let's deal with the obvious one first. Remember, these are out of order and/or don't create a coherent order. ![]() |
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